The recapitulation of GSPRCH is a recapitulation of the process of making art. Or, more precisely, it is a reflection on the question: What do I do in the frame of making art? I had, already during the conversation about GSPRCH, the impression that this project will not be about the exhibition as a result, but about this box as a common frame.
I had the impression that this would be enough. Enough relevance. Enough consequence. Enough to then make an exhibition. Enough reason to give if somebody would come and ask: What are you doing?
We: are working simultaneously juxtaposed and with each other. We are talking about it, questioning. Sharing and not sharing. We are in the potentially visible sector. What does it show? We are negotiating place, time dates, interferences, needs, effect. We are negotiating the necessities of our actions.
This sounds pretty egocentric. But, rather and, rather affectively, I am interested in simultaneousness and its structures, via observation. I decide to declare this topic as mine: stretching a network out of stories that others are telling, that are evolving out of the observation of simultaneous action. This would be my artwork being made in this art making process.
I start, I make, and I stop. I realise.
Not communicating is part of this network. The potentially not visible sector. How do I integrate that? I have the impression that is still not about the exhibition as a result, but about the common frame. That this is enough. Enough relevance. Enough consequence. Enough to then make an exhibition. Enough reason to give if somebody would come and ask: What are you doing?
I: integrate the not communicative not visible sector by doing what I desire, what pleases me. No reasoning needed. I collect without the need of having a collection. I ride the vibes of the others, without the need to translate them into a product. I follow my sensuality, in order to explore the vibes that are present. I decide for it, living it through my being. I break with my concept, in order to create an inefficient, causally open space for action which is senseless as undefined and not even keen on definitions. This is satisfaction to me. That is what I need.
GSPRCH is not without a future focus, not without an aim, as exhibiting means opening. An opening up towards something, a metamorphosis of space to be: The accumulation of simultaneousness, which is not a purpose in itself, but an access. To the vibration of creative acts. The impossibility to master all, to the possibility to decide instead. To the possibility to choose but not having to choose the right thing.
To experience decisions. To fully engage for a part of the whole.